Rockin' Rollin' Prints 2011

Rockin' Rollin' Prints - June 11, 2011

Rockin' Rollin' Prints - Dance the Print - June 11, 2011

Rockin' Rollin' Prints - Dance the Print - June 2011

PrintHouston 2011

We are "rockin' and rollin'" getting ready for the steamroller event on June 11th at Art Supply on Main.

Pat Masterson is teaching a woodblock printmaking class on Saturday, February 26th, 10-4. I'll be there. I hope you will be there, too.

I have only tried carving a woodblock or linoleum print a few times, years ago. But I am determined to carve a block for "Rockin' Rollin' Prints." Mainly to say that I did it!!! Who else is going to give it a go?

We are hoping to have several "carving" parties in the coming weeks and months. More info to come.

-- Cathie

IPCNY exhibition at the VAC at UT

Attended the opening of the IPCNY travelling exhibition last Friday at the VAC at UT. There were some really nice prints, but overall I was not that impressed with the quality of the work.

I got into a really interesting conversation with a New Orleans' artist. His piece was labelled "lithograph." My friend Jo and I were examining two sections of the print that were very pale and discussing the artist's "intention." At that moment, the artist approached and asked us which character we liked the most. (It was a marching band, cheerleaders, etc.) We asked him whether he drew on a plate or stone. He told us "no." He draws and hand-colors his drawings. This was a "copy." Yikes! He said the print shop made a copy and printed it. "What about these lighter areas?" "They made a bad copy," he said. Oh, no. Blood pressure rising. After the fifth time he referred to the print as a "copy," I said: "I would not be using the term 'copy' in the middle of an IPCNY exhibition." He ran away shortly after; I'm sure he never got it.

Please, if you are an artist and working with a print shop, educate yourself on the process, the terminology, the expertise needed. Do not sign prints that put your work out in the public domain as an inferior product. And don't pretend that you are offering anything but a reproduction if that is all it is.

There is much beautiful work that is the result of a true collaboration between the artist and the print shop. To just hand your work over to someone and let them reproduce it causes confusion in the market place, making it more difficult for artists who create original prints or print shops who work with artists to make original prints that add to their bodies of work.

-Cathie Kayser

PrintHouston 2011

The members of PrintMatters have rolled up our sleeves and are busy organizing and promoting the first ever PrintHouston. This month-long celebration of the art of the print is scheduled for June 2011. We have three major events planned. Hot Houston, Cool Prints, two juried exhibitions at the Museum of Printing History, will kick off the month on June 2. On Saturday, June 11, Art Supply on Main will host an all-day steamroller and “dance-the-prints” event, Rockin’ Rollin’ Prints. The Midtown Management District is a promotional partner for the event. We are also planning a series of lectures about printmaking.

The model for PrintHouston is Philagrafika. A citywide, international contemporary art event, Philagrafika featured printmaking artists from throughout the US. The event received extensive national attention and drew over 7,000 visitors to Philadelphia this past spring. If Philadelphia can do this, so can Houston!